the writer must resist this temptation [to quote] and do his best with his own tools. It would be most convenient for us musicians if, arrived at a given emotional crisis in our work, we could simply stick in a few bars of Brahms or Schubert. Indeed many composers have no hesitation in so doing. But I have never heard the practice defended; possibly because that hideous symbol of petty larceny, the inverted comma, cannot well be worked into a musical score.
Ethel Smythcrawling about the floor like half-dead November flies is one thing, and dancing reels another.
Ethel SmythI can imagine nothing more tiresome than always to speak of people as if they were listening at the door.
Ethel Smyth