I do the protest stuff. I do country and western. I play both acoustic and electric guitar in a lot of different styles, from loud, psychedelic stuff to quiet finger-picking.

I want to be taken seriously as the type of musician that plays stuff like an electric rake. I mean, how seriously do you take someone like Spike Jones? They take him pretty seriously - a really good musician who made a great contribution in terms of humor, which is part of what I try to do too.

I think dissonance in music makes you think. It isn't, 'Oh, that's a pretty melody I can whistle.' You have to sit down and listen to tell it apart from other things.

I do the protest stuff. I do country and western. I play both acoustic and electric guitar in a lot of different styles, from loud, psychedelic stuff to quiet finger-picking.

There are no bridges in folk songs because the peasants died building them.

I started using contact microphones that you can place on common, ordinary objects, like a rake. I put a microphone on it and it picked up the tines vibrating and turned it into a horrible din. What attracted me to it was the horrible din - that's what I really liked.

I play these sort of comical instruments I invented, like the electric rake and the electric plunger. I do a lot of almost stand-up comedy material. Just the juxtaposition of the different styles in itself sometimes is funny. Like, I do sort of an acoustic version of 'Purple Haze' that has some bluegrass licks in it.