Baroque civilization believed in two truths, which for a post-18th-century mindset are exclusive truths - we have to eliminate one to believe the other. They believed in the rational exploration of the universe, and they also believed that there was a hidden spiritual truth. Baroque thinkers were able to live the two at the same time. In any case, for me, it's necessary to live that way also.

I don't like things to be overcharged, because otherwise everyone starts getting nervous. I try to be very well organized. When I write the script, everything is already in there, like the decoupage.

I have much respect for the people that I work with, and it's reciprocal. My shoots are always very calm. Everyone has their work to do, and we try to respect everyone's work and give them the time necessary. There's never any tension. That's something that helps to attain the simplicity that I'm looking for.

It's one of the bases of all human existence - the relation between parents and children, whether biologically or metaphorically. It's something we can never get away from, even in a civilization where we're controlled by robots. It's the basic relationship between mature people who represent paternal and maternal figures and young people. It's universal - it's part of human existence. It's always been that way, and it will always be that way if humans remain around.

When you see people on the street, they're living in their phones. They aren't living where they are - they haven't got the energy of the past. And so it's something that needs to be reestablished.

Spiritual truth is something that is so far from us - without any form or name that we can imagine - that we need the things that religions gave us simply as images and metaphors. But they can be found in a variety of ways. It's not a question of religious practice.

I think that if you have a sense of the sacredness of nature and of human relations, I think you will be uplifted in some sort of spiritual elevation.