I have much respect for the people that I work with, and it's reciprocal. My shoots are always very calm. Everyone has their work to do, and we try to respect everyone's work and give them the time necessary. There's never any tension. That's something that helps to attain the simplicity that I'm looking for.

Spiritual truth is something that is so far from us - without any form or name that we can imagine - that we need the things that religions gave us simply as images and metaphors. But they can be found in a variety of ways. It's not a question of religious practice.

I don't like things to be overcharged, because otherwise everyone starts getting nervous. I try to be very well organized. When I write the script, everything is already in there, like the decoupage.

One of the biggest problems of our contemporary civilization is that there's been an interruption of transmission. People have no past in their present.

In France, we have laïcité, which means that atheism is almost our state religion. But I think a very important part of Western culture is in the centuries when Christianism was dominant and was present in almost all works of art - not only liturgical works, but also literature and music. Yes, it's important to have that in our present. It doesn't mean that people have to adhere to a dogma or practice a religion, but it's part of our heritage, and you have to at least try to understand it. Otherwise you can't be a modern person.

Baroque civilization believed in two truths, which for a post-18th-century mindset are exclusive truths - we have to eliminate one to believe the other. They believed in the rational exploration of the universe, and they also believed that there was a hidden spiritual truth. Baroque thinkers were able to live the two at the same time. In any case, for me, it's necessary to live that way also.

I work very hard to achieve simplicity, which is never natural, never spontaneous. It's always obtained at the price of a great effort.