A person who has not completely lost the memory of paradise, even though it is a faint one, will suffer endlessly. He will feel the call of the essential world, will hear the voice that comes from so far away that one cannot find out where it comes from, a voice that cannot guide him.

We are all looking for something of extraordinary importance whose nature we have forgotten; I am writing the memoirs of a man who has lost his memory.

It is not the answer that enlightens, but the question.

I have no other pictures of the world apart from those which express evanescence, and callousness, vanity and anger, emptiness, orhideous useless hate. Everything has merely confirmed what I had seen and understood in my childhood: futile and sordid fits of rage, cries suddenly blanketed by the silence, shadows swallowed up for ever by the night.

Like all revolutions, the surrealist revolution was a reversion, a restitution, an expression of vital and indispensable spiritual needs.

For me, it is as though at every moment the actual world had completely lost its actuality. As though there was nothing there; asthough there were no foundations for anything or as though it escaped us. Only one thing, however, is vividly present: the constant tearing of the veil of appearances; the constant destruction of everything in construction. Nothing holds together, everything falls apart.

Childhood is over the moment things are no longer astonishing.