The next movement is still in the factory.
It's all very well to have principles, but when it comes to money you have to be flexible.
I don't mean to make you nervous, but unfortunately I have to.
Without him here, it is impossible to know how fast he will play it, approximately.
It's so legato it's difficult to splice. Sibelius was famous for that.
That was perfect. It was just the opposite from what I said yesterday.