We all show facets, to your mother, or to your boyfriend, or a friend. You're always a bit different.

Hollywood wouldn't suit me. In L.A. it's all about work - studio people have their five minutes with you and they go, 'Oh mah Gahd, I love your movie.' You just feel very self-conscious there.

A lot of the films now are more focused on the visuals than on the actors. I think all directors should go to drama school.

I was born in Paris, and it's a beautiful place, but London feels like home. I like the village feeling, I like running in the parks - even the food isn't as bad as it used to be.

If I can avoid doing stunts, I will. I don't want to die just for a movie. It's not worth it.

I love fashion from the 1930s and '40s - shoulder pads, high waists, things with structure. That is classy for me. Andrea Riseborough from the Madonna movie 'W.E.' had an amazing wardrobe.

A film can be big or small - I have to just fall in love with it. To connect with the character, the script, and the director. Sometimes they say to you, 'You should do that for your career; it's a big thing, people will go and see it,' but I wouldn't be able to, because my heart wouldn't be in it. I would drive people quite mad.