I like characters who have strong facades and then have secrets. They have cracks.

Seeing what the film becomes, out of your hands - you never know, you know? I'm always rather anxious. It's not like in theater when you are more in control. You're more - not a puppet, but you don't control it. You don't own it.

I don't wear base, as I don't like to cover up my freckles, but I couldn't live without YSL Touche Eclat for hiding my under-eye circles. I love the smoky-eye look, so I use Dior's 5-Colour Eyeshadow in Night Dust and lashings of mascara. I finish with a dash of bronzer for a healthy glow.

I think the work is the same in Indie films or blockbuster. It's just a difference when you do all the publicity. It's like another job. I remember the first time I did The Dreamers. I went to Venice; quite a good amount of publicity, a lot of round-tables and TV. I was just not expecting that. I thought I was going to visit Venice, but actually no.

French sounds flat. In English, you can play with pitch.

For Tim Burton's birthday I gave him a rainbow beetle. He loved it!

Hollywood wouldn't suit me. In L.A. it's all about work - studio people have their five minutes with you and they go, 'Oh mah Gahd, I love your movie.' You just feel very self-conscious there.