There are ways of doing stunts without me. I get no pleasure putting my life in jeopardy just to get the shot. Life is too short for that nonsense.

Most of the women in film are there to be beautiful to the man.

I love photo shoots where I can be like a pinup, not myself. Where I can be feminine, glamorous, dark not like in real life. I hate it when you go in and they want you to be 'natural,' to be yourself. I just hate it. I love having fun. When they ask you to smile, I hate it. Of course I smile in my real life, but to do it on cue, that's not spontaneous. I'd rather do something that's like a little movie, like a little story, rather than just me, I feel naked.

I go shopping maybe three times a year in an intense way. I'm like a man. Can't spend too much time in a shop.

I have Algerian, Turkish, Swedish, Spanish blood: I feel like a citizen of the world. Life and cinema don't have borders.

I give everything to my work, and I like complex roles, characters that aren't obvious. I've been very lucky so far, and I'm dreaming of working with directors like Jane Campion, Susanne Bier and the Dardennes. But the gods will decide.

A film can be big or small - I have to just fall in love with it. To connect with the character, the script, and the director. Sometimes they say to you, 'You should do that for your career; it's a big thing, people will go and see it,' but I wouldn't be able to, because my heart wouldn't be in it. I would drive people quite mad.