I wish writing was a talent that I had. I've tried. Unfortunately, I'm just not talented in the writing department. But, if I was, I would just write complicated roles for women because there's a lack of them.

You're going from audition to audition, changing in the backseat, and all that fun stuff that's great to do at one time in your life. That's when the 49-cent taco, as disgusting as it is, really plays into your day. It really helps you out.

I'm drawn to a lot of tragedies, and I love a Greek tragedy.But I would think - I start thinking realistically about it, and performing eight days a week, that would take a toll. I take things to heart. I don't know if I could survive, like, "Medea."

I love sleeping. If there was an Olympics for it, I'd take gold. I'm Cuban. We love to sleep.

It's the scariest thing in the world, going to acting class, because first of all, there's a lot of pressure. I just go back to being that fourth grader who couldn't, like, sit still in her seat.

I think it would be so fun to do some kind of comedy, something - I'm not exactly sure, but something like I just did Moliere's "Tartuffe" in class, and wow, what a stretch. Why go to classes? I get to play in Moliere's "Tartuffe," and I could never - nobody would ever think that they would be, I'd be right for that.

I also have an amazing codesigner and an amazing partnership with New York & Co. The exciting part of growing together and having this kind of long-term relationship is that they can anticipate where I'm going with something. So our relationship is very defined, it's a true partnership so I'm not doing it all by myself.