When people were very concerned about the violence against women, I encouraged people to stick with it because it was going somewhere and there was a reason why. It's all a commentary on gender roles and women and having to be the damsel or to stay on the ranch or to stay at home.

You just knew you were in great hands with somebody so talented, so bright and with such depth. We both [with Ellen Page] loved the script and the book [Into the Forest], which I read after I read the script, and highlighted it and dog-eared it to craziness.

I was a mess when the movie [Into the Forest] ended and I had to say goodbye. It was one of the hardest endings.

I love walking onto the set and the blindfold is taken off and then everything I do is fresh and in the moment. That's why I loved working with Darren Aronofsky.

I would want my son to value himself as a person. To hold himself to a higher standard, and to not listen to all the stuff that's shoved down men's throats about what they're supposed to do and how they're not supposed to feel. I want him to know that he's a person and he's allowed to have emotions and be vulnerable. That doesn't mean he's not strong.

It was really the dream role, and when they first cast me, and I started playing Dolores [in the Westworlds] and all I knew was the analysis mode and her prairie-girl character, I thought, "Yeah, of course I can do this, and I'm good at it, but why did they pick me?" Not because I'm not capable, but I'm also kind of a tomboy, edgy, so I was curious.

You can become very reclusive in Hollywood. This gave us permission to be able to open up and be intimate with somebody that you might not normally be kind of brave enough or confident enough to do so with.