Evan Rachel Wood is a robot, yes. And some of them, there was one person in particular that was so sure, wrote like a whole thesis, and tagged the whole cast. He was like, "Here's my theory. And remember I said it first." He was so proud. And it could not have been farther from what we're actually doing, but it was cute. I love that people are getting so passionate about it because I went through a million different theories, and they would keep changing and evolving.

Authentic and free. The Gucci guilty woman is about living in the moment. She's a modern woman, someone who really owns herself and her sensuality. It's supposed to be a very empowering and sensual fragrance.

I love that this film [Into the Forest] has a balance.

Everyone in the top of their fields is pouring everything they have into this, which is why it was such a massive undertaking and why filming was extended. It's not because things are going badly. It's because they're so massive and it's so complicated and we want to get it right. We're not just phoning it in. We're taking our time with it because it's really important.

There's really barely any sex in [The Westworlds]. But there is a lot of nudity. And it was always described to me as being done in a way that was supposed to be kind of sterile and mannequin-like and dehumanizing.

The most complicated character I have ever played - she has many, many, many layers that even I'm not fully aware of.

I actually fell asleep during one take with Jeffrey Wright because I relaxed myself so much. I just stayed so still that I just nodded off, and kind of snapped back into it in the middle of the scene.