I like having surprises in the morning for each other on the bedside table, so when you wake up you have something immediately. Just like a little teaser. Then I think it's nice to stay in bed all morning. It's simple.

I can't say I'm one way or the other because I've honestly fallen in love with a man and I've honestly fallen in love with a woman. I don't know how you label that, it's just how it is.

When people were very concerned about the violence against women, I encouraged people to stick with it because it was going somewhere and there was a reason why. It's all a commentary on gender roles and women and having to be the damsel or to stay on the ranch or to stay at home.

I wasn't doing it to shock anybody or to be rebellious or to get attention making "Heart-Shaped Glasses" with Marilyn Manson. I was more proud of that than anything because it took a lot of strength and bravery to put myself out there like that. It was a risk. I'm glad that I did it because usually the best things I've done have come from the biggest risks. Thirteen was a risk and that was amazing.

I couldn't stop throwing theories at [Jimmi Simpson], and eventually I was like, "I'm sorry, I'm sorry. I will stop talking about the show [Westworlds]. I promise."

I also loved that there [in Into the Forest] was a beautiful balance to it, where they were strong and survivors and doing things in the film that we normally only see men do, but they were still human and vulnerable, and they still broke and had moments of weakness. That's something that we don't often get to see in these films, either.

J.J. Abrams and Jonah Nolan and Lisa Joy, who are brilliant people, so I knew it [Westworld] was going to be amazing.