I just couldn't believe that it [Into the Forest script] had fallen into my lap, because I felt so incredibly connected to my character, and I understood her, and I really...I haven't had that feeling about a script since I had read Thirteen or The Wrestler when I was just like, "No one else can do this." I just feel so passionate about it.

I was always pale. And I'm glad that I can be open about my paleness now.

I also loved that there [in Into the Forest] was a beautiful balance to it, where they were strong and survivors and doing things in the film that we normally only see men do, but they were still human and vulnerable, and they still broke and had moments of weakness. That's something that we don't often get to see in these films, either.

Dear God, I've done so many crazy hair colors and outfits and makeup looks where I look back and it's like, What the hell was I doing? You can't be afraid to make mistakes, you have to take risks. We all have those moments we look back on and wish weren't captured on film, but we're not alone in that.

I don't remember a time when I wasn't acting. I have taken time off to figure out if it's what I really want to do, and it is. The only other job I'd want is to be a psychologist, as I spend most of my time analyzing people and emotions.

I got the part [in Into the Forest], I started taking ballet again to try to regain my strength back. I actually love that it was changed to Crystal Pite's modern dance. And I wouldn't even really call it modern dance because it feels like it's in its own genre.

It was really cool to get to know her as a person and artist. And getting to act with her after a year of knowing her and be like, "Oh my god! There's a whole 'nother thing here!" It was really cool to be her friend and then see Ellen Page on the set.