I'm not in the media that much, so people don't know my personality very well - they just know my work. I feel bad for people who have to read about my personal life and my relationships and see photos of me going through security at an airport. It's like watching a commercial for a hamburger that looks delicious, like a Big Mac, and then going to where they make it and taking photos of what it looks like behind the counter, and it's horrifying.

That's why I love music so much. It completely saved me. There are so many feelings you can't explain, and you can hear one note on a guitar and somehow that sound explains what you can't put into words.

Sometimes I forget that I am even watching myself, realizing that's me. It's like you almost become a fan yourself: You are just this normal person watching this show, and then you realize that it's your show. It's weird sometimes.

I love the contrast of this side of [Dolores from the Westworlds] coming out, this tough fighter coming through this sort of Disney princess. There's something really powerful about that. But I was really excited to get some pants.

You just knew you were in great hands with somebody so talented, so bright and with such depth. We both [with Ellen Page] loved the script and the book [Into the Forest], which I read after I read the script, and highlighted it and dog-eared it to craziness.

I love walking onto the set and the blindfold is taken off and then everything I do is fresh and in the moment. That's why I loved working with Darren Aronofsky.

I was always into very androgynous things. Guys, girls... I'm into androgyny in general.