Truthfully, I love being in the jungle. I love it when the make-up artists come to set, they come equipped with dirt and sweat. I spend my days climbing trees and I can crawl out of bed and walk on set and that's exactly all I have to look like.

To put it simply - you know, a lot of people believe that the benefit of this job is fame and fortune. I believe that you pay for the fortune through the fame. I don't buy into the notion that being famous is somehow a good thing, or an exciting thing, or a wonderful thing.

Money is the longest route to happiness.

When I am doing things around the house - when I'm decorating, setting up furniture, putting out a vase of flowers, lighting my candles, my mind is always thinking, "What do I need to do to make this space peaceful and restful and comfortable so that when people walk into it, aesthetically they're heightened and enlightened?"

I don't know if any of you feel this way, but it's like eventually, you see a woman come on screen and you go, "Oh, thank God!" You just sort of need a break from all this testosterone, which happened, I think, in one of my films, The Hurt Locker. I was in it for like five minutes, and people were like, "You were in that movie!" And I was like, "Well, kind of." And they were like, "No, you were!" 'Cause they needed a woman!

I'm a good Canadian girl. I miss all that good stuff. I miss tobogganing and I miss snowboarding, but I've also learned to surf and I've become a water baby which I used to be relatively terrified of the water and I kayak all the time now and I'm able to run year round on the beach which you can't obviously do in Canada.

The people on my mum's side of the family are atheist intellectuals who are ueber-proper. My dad's side of the family are missionaries who are more comfortable sitting around in sweatpants than they are in a five-star restaurant. But those two influences converged in my life.