As I grew older, I developed a very innate passion for art. I was actually pretty good at it.

I eventually want to come back to Canada, to disappear, have nobody know me, and just be a writer and do what I want to do.

When I pick a role, one of the things that I aspire to is that somebody's parent will come up to me after the film has come out and say, "My daughter idealizes that character. You're her hero." That's what I aim for. We're in the business of making heroes.

I think that being isolated from the Hollywood world of premieres and red carpet events was probably good for me because I could ease into those at will and by my own choice. But in other aspects, when it comes to fanfare, Hawaii is nuts and in L.A. they're all so jaded. They don't care.

To put it simply - you know, a lot of people believe that the benefit of this job is fame and fortune. I believe that you pay for the fortune through the fame. I don't buy into the notion that being famous is somehow a good thing, or an exciting thing, or a wonderful thing.

The people on my mum's side of the family are atheist intellectuals who are ueber-proper. My dad's side of the family are missionaries who are more comfortable sitting around in sweatpants than they are in a five-star restaurant. But those two influences converged in my life.

When I was young I was soft spoken and a little bit timid and passive. My dream then was to be a ballerina or a figure skater - something very delicate.