For me there's a need for balance - fulfilling the sensitive side, letting my guard down, holding back the warrior in me. And I have to be vulnerable which is very hard for me to do.

As a filmmaker, you have to understand the essence of the book and tell the story you want to see on the screen, and hopefully please yourself - because you cant possibly please everyone.

To put it simply - you know, a lot of people believe that the benefit of this job is fame and fortune. I believe that you pay for the fortune through the fame. I don't buy into the notion that being famous is somehow a good thing, or an exciting thing, or a wonderful thing.

I was fortunate enough to be one of those stories where I was scouted on the street by somebody and actually refused to go to the agency, and was approached on different occasions and finally kind of caved and said, 'OK, I'll try it and see what happens.

I got called and was told, "We'd like you to do The Hobbit", which was my favorite of all of them when I was a kid - "And we want you to play a character that's not in the books", I gulped and hesitated, but then I went, "These guys know this world, and they represent this world so well, that I actually think they've earned the right to have a little play."

I didn't grow up in a home that glorified Hollywood. We didn't watch TV. We didn't have a lot of magazines around.

I try my very hardest to remember that I don't have to be anything but Evangeline. That's all that's expected of me. And if I try to be more or less, I will fall flat on my face. So if I just continue to hold my head high and keep myself in check, I'm being who I was born to be.