Lesson number one: Pay attention to the intrusion of the camera.

I don't see anybody as either ordinary or extraordinary. I see them simply as people in front of my lens.

If the photographer is interested in the people in front of his lens, and if he is compassionate, it's already a lot. The instrument is not the camera but the photographer.

It doesn’t matter if you use a box camera or a Leica, the important thing is what motivates you when you are photographing. What I have tried to do is involve the people I was photographing. To have them realize without saying so, that it was up to them to give me whatever they wanted to give me . . . if they were willing to give, I was willing to photograph.

I realize that I had the best of serious picture journalism.

It doesn't matter if you use a box camera or you use a Leica; the important thing is what motivates you when you are photographing.

I look for a sense of reality with everything I did. I didn't work in a studio, I didn't light anything. I found a way of working which pleased me because I didn't have to frighten people with heavy equipment. It was that little black box and me and £5 worth of film in my pocket or maybe it was only £2 in those days.