We live in a racist world. Everywhere there is racism. We say to White people, "You really have to examine how you behave in the world. You are responsible for deconstructing internalized racism and being part of a ongoing process of decolonizing yourself.

People are sad. People are broke. People are worried about money, people are worried that they're not enough and not amounting to anything and they don't feel good about themselves. People have rough times, and everybody's pretending it's not true, and we need to break that veneer.

If you are divided from your body, then you are divided from the body of the world.

When I was younger I was much more polemical and didactic, much less trusting. Inherently my own vision of the world would weave its way through the characters. Also, my concerns are changing. What happens is you write a few plays and get boxed into some idea of what your concerns are and what you're supposed to be writing about.

This artistic uprising we had the other night in Washington Square park: there was poetry, there was dance, there was song, there was spoken word; and people left feeling so inspired and so energised. We have to get ourselves out of this syndrome of trauma and being re-traumatised. Art releases this energy. It exposes us to wonder again, and magic again, and ambiguity - all the things we need to really keep going and fighting and resisting in these times.

I got to a nine-hour surgery, I lost lots of body parts and rearranged, I got really months of infection that I lost 30 pounds. But the idea of pumping poison into my bloodstream just - I couldn't, I couldn't.

I feel sometimes with boys that the tyranny of patriarchy has had a much more devastating blow on boys than it has on anyone. Because they have literally been forced to disassociate from their hearts.