There were momentary visitations. I was a visitor, not an inhabitant. I think I say that at the beginning of the book: "I have made visits to the earth in my body, but it's always been as a visitor."

I was a young feminist in the '70s. Feminism saved my life. It gave me a life. But I saw how so much of what people were saying was not matching up with what they were doing. For example, we were talking about sister solidarity, and women were putting each other down. We were talking about standing up for our rights, and women weren't leaving abusive relationships with men. There were just so many disconnects.

I believe in fierce love, pushing the edge, calling the robbers, the corporates, the elites, the pillagers and insanely wealthy to task, going whatever distance we need to go now to protect our earth and each other.

Why are women immobile? Because so many feel like they’re waiting for someone to say, "You’re good, you’re pretty, I give you permission."

The mechanism of violence is what destroys women, controls women, diminishes women and keeps women in their so-called place.

If the theatre has taught me anything, it's that when things change in the body, in the body politic, in the body of the world, in the body of the earth, in the body of the person, there's change. You never go back.

I think many of us get separated from the mothership - our body - early on. I think the mothership is also the Earth, and life itself. Trauma separates us from that and dissociates us from our hearts.