You know I think so many of us live outside our bodies. My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.

Geography does not define you - love does.

Why aren't we looking at the causes of breast cancer? Why aren't we spending our energy on looking at what we're doing to the earth? On the pollutants we're putting into the earth? And the pesticides we're putting into the earth? What we're releasing into the air? Instead, we just cut off more organs! That's where metaphor comes into it - not even metaphor as much as reality.

I think for me, happiness is crucial, but I think we think that happiness comes from amassing goods and getting things and being loved and being successful, when in fact my experience of happiness comes when you give everything away, when you serve people, when you're watching something you do make somebody happy, that's when happiness happens.

Theater has an incredible capacity to move people to social change, to address issues, to inspire social revolution.

In America, we have to really be working on two fronts right now. Immediately, we have to be rising in resistance and protecting our Muslim brothers and sisters [and] every marginalized person under threat and siege. At the same time, we have to be planning and envisioning where we're going. How we build moments and movements, how we come up with the vision we want of a progressive left - that's what comes in after.

I think what's been true across the board is the universal patriarchy, the fear of women ever being born back into complete sexuality and life-force. This manifests itself in different cultural variances, but that's really what's going on everywhere.