I think being an activist and an artist is an interesting contradiction, because so often they are at odds with one another. When you write as an artist you have to clean the palate of your own politics in creating characters and activism is kind of the exact opposite.

The devastation of neoliberalism is so multi-fold, whether it's violence against women or desperate economic inequality or the destruction of the planet.

I think we are seeing the absolute and utter collapse of male politicians in this [U.S] country and we're seeing what the underpinnings of the power structure are, which are sexist underpinnings.

Today the United States has the highest prison population in the world, over 2.1 million people. ... We lock people up at a rate that is seven to ten times that of any other democracy.

There were momentary visitations. I was a visitor, not an inhabitant. I think I say that at the beginning of the book: "I have made visits to the earth in my body, but it's always been as a visitor."

This artistic uprising we had the other night in Washington Square park: there was poetry, there was dance, there was song, there was spoken word; and people left feeling so inspired and so energised. We have to get ourselves out of this syndrome of trauma and being re-traumatised. Art releases this energy. It exposes us to wonder again, and magic again, and ambiguity - all the things we need to really keep going and fighting and resisting in these times.

For many years now, I feel like my own body struggle has been linked and connected with women I meet in the world. I think we're in this together.