I think being an activist and an artist is an interesting contradiction, because so often they are at odds with one another. When you write as an artist you have to clean the palate of your own politics in creating characters and activism is kind of the exact opposite.

Once you are diagnosed with cancer, time changes. It both speeds up insanely and stops altogether.

If you look at capitalism and patriarchy, they're both such hierarchical, competitive, oneupmanship systems. They've trained us all [to think] that power means having all the goods or having the most money or having the most attention or having the most fame. That's not the power that interests me. Actually, the deconstruction of that power is what interests me.

There is a beautiful expression in Nicaragua: "struggle is the highest form of song". I love that. We are in the struggle. It's like a river. Once you step into it you become the river. It's not, you go out and click on a couple of charities that you believe in, march in the Women's March, and you're done. Struggle becomes your life, transforming a paradigm that is based on domination into a paradigm of co-operation. Fighting for the liberation of women, of people of color, of indigenous people, of lgbtq communities. Fighting to protect immigrants and assuring the safety of refugees.

I am so grateful to be alive. It's ridiculous to be alive.

When I wrote 'The Good Body,' I turned 40 and suddenly had this stomach. It seemed like the end of the world. Because I didn't value my body. I was constantly judging it, but I also didn't live in it.

When you rape, beat, maim, mutilate, burn, bury, and terrorize women, you destroy the essential life energy on the planet.