I don't really like to know what I'm going to do before I do it.

I like the idea of being a sculptor. Just me alone, making something - that solitary existence.

The beautiful thing about it is that no two directors or actors work the same way. You also learn not to be afraid of discussion and conflict.

UNICEF is doing amazing things here. They're helping these groups of kids to be mine aware, and using drama and workshops to teach children in all of the schools in the area to be aware of mines and what to do if they find one, and if somebody's hurt, not to rush in - all of the essential things that kids need to know.

I believe that unless it's a scene where I'm alone, then of course I could do what I want but I think good acting is about what happens between people, not on your face and my face.

A lot of parents tell their children that if they want to be an actor, that's fine, but they should do something else first, so they've got something to fall back on. It doesn't work like that, as far as I'm concerned.

If you're not engaged in the writing and it doesn't grab you then you just don't want to do it.