UNICEF is successfully giving children and young people all over the world opportunities and hope. Just like the ones we met on the Long Way Down - protecting them from exploitation and giving them chances in life.

Then I left school at 16 and worked in Perth Repertory Theatre, which was quite nearby where I lived. And I worked there for about six or seven months, as part of the stage crew.

I find that the acting's getting easier - with experience, everything is more instinctual.

I've never worked with an acting coach, no.

I think if you're going on thinking oh, I can do this with my eyes shut, then it's probably not the right thing to be doing, you know.

I love exploring in a rehearsal room with other actors, scenes and you know, stuff you are scared of.

There's something that happens where you go, if you're lucky, goodness me, from film to another film to another film. And you can sort of feel that if you step off that treadmill, it might all go horribly wrong and you might never be employed again, you know. And I suddenly thought that that's not necessarily the case. And I also thought we make drama as actors about people in the world and that if you are on that treadmill, you start making films about other films.