If you want to produce really horrible, obnoxious kids, say yes to them all the time.

There's nothing worse than shooting a scene you haven't rehearsed.

Everything you do on set is directly related to your imagination when you read the script for the first time.

There's something that happens where you go, if you're lucky, goodness me, from film to another film to another film. And you can sort of feel that if you step off that treadmill, it might all go horribly wrong and you might never be employed again, you know. And I suddenly thought that that's not necessarily the case. And I also thought we make drama as actors about people in the world and that if you are on that treadmill, you start making films about other films.

In far Eastern Russia, there's just some towns that time has forgotten. I guess they used to maybe be industrial or something that are now there's just lots of rusty hulks of buildings and a lot of people wandering around, a lot of alcoholism and violence because people have got nothing to do and no work. Yet people were very generous.

A lot of parents tell their children that if they want to be an actor, that's fine, but they should do something else first, so they've got something to fall back on. It doesn't work like that, as far as I'm concerned.

I never imagined it wouldn't work out for me. I had that absolute certainty in myself that has seen me through, I think, and my parents were absolutely behind me all the way.