When you're listening to music, you listen to it with a friend one day and it sounds one way. You listen to it with another friend the next day, and it sounds a little different. Sometimes the greatest pleasure of listening is not the music that you're listening to; it's the person that you're listening to it with.

I don't like to treat words and sounds like objects. You have to penetrate deeply into their meaning.

There is no guiding principle, because the work that is created in collaborations should be created from its own principles.

Musicians always want to sacrifice our creativity to get involved in environmental issues or political activism of some sort - to reduce it to something more populist in terms of sing-alongs or guitar songs with a message.

Our individual consciousness is actually part of a larger system. There are many levels of consciousness, and the creativity used in composing the music comes from another level that is not purely personal.

When you're listening to music, you listen to it with a friend one day and it sounds one way. You listen to it with another friend the next day, and it sounds a little different. Sometimes the greatest pleasure of listening is not the music that you're listening to; it's the person that you're listening to it with.

I think the question of actually relating emotion to music is totally interesting. I believe that it is really important on some level, but it's also important not to impose your own emotions on some music that has its own emotions.