I think [rock'n'roll] essence is what made it good and has a lot in common with what originally made monotheism good - it's against everything that is fixed, all the social structures that you can't go past.

I think most of the work of songwriting is thinking of great phrases - I'm addicted, always on the hunt for a really great phrase.

I wanted to get a guitar [when I was 13] so I could play punk songs because kid taught me power chords at summer camp. He was like, "You could play all punk songs if you just learn this chord and just move it around on the guitar".

I think I gravitate towards rock 'n' roll as a playground where I can say anything.

I was like, "Who the hell is Bob Dylan?" I was going to learn one song to appease my mom and alphabetically the first song in the book was "Absolutely Sweet Marie." When I heard it, it was like "Oh, there is something going on here. It's not like my parents' boring music that I don't care about. This is totally electrifying."

What really is wild about rock 'n' roll? Nothing. It's so banal and so part of corporate culture. It threatens to lose all its life.

I think [rock'n'roll] essence is what made it good and has a lot in common with what originally made monotheism good - it's against everything that is fixed, all the social structures that you can't go past.