It's an amazing thing to be able to fall into the world of your childhood fantasy.

Getting socially outcast can be the best and most informative thing that can ever happen to you because you have to learn who you are separate from the pack.

The token gay character is always so funny and so fantastic. That's happened a lot. Or they're often purely victims.

Everybody feels like an outcast because the world is so large and every fingerprint is so vastly different from one another, and yet we have these standards and beliefs, and dogmatic systems of judgment and ranking, in almost all the societies of the world.

I always thought it would be really, really cool to play Edgar Allan Poe, because when I was a kid, he was one of the authors who really blew my mind open to all sorts of weird dark and twisted places.

I was a cocky kid, and I felt like I was an adult at, like, 9. I think that's because my parents always treated me as an adult.

I genuinely think I have a hugging superpower. I'm starting to master the transformative hug. I have a strange memory ability. There's a lot of information that I don't cognitively know, but that seems to rise up at moments of need. That feels like a superpower. Something that nobody knows about me is that I discovered at a young age that I could sing in two tones. I don't do this in performance, because it's something very special to me. But I've learned that it's a practice that goes back far in time.