My genre-hopping has caused problems with marketing and sales departments over the years, because they need to know where to position a book with the booksellers.

Some people never learn how to talk to kids. They turn up the volume and enunciate with extra care, as if talking to a partially deaf immigrant. They sound as if they're reading lines somebody else wrote for them, or as if what they're saying is really for the benefit of other adults listening and not just for the child. Kids sense that and turn off.

Jesus paid for our sins, so let's get our money's worth.

Reality is what trips you up when you walk around with your eyes closed.

I don't know how it is with other writers, but most of the time when I finish [reading] a story or novel, I may be pleased, I may even be impressed, but somewhere in the back of my mind I'm thinking, I can do that.

I love seeing the light go on in aspiring writers' eyes when you point out ways to improve their prose or their story - when they get it.

I had an idea for a medical conspiracy thriller. Since it was non-horror, I didn't want the publishers and editors bringing a lot of baggage - my history as a genre writer in the SF and horror fields, for instance - to the novel when they read it. I wanted them to consider the book solely on its own merits. So I called myself Colin Andrews. I was tired of seeing my books at floor level. Not that Herman Wouk and Phyllis Whitney and William Wharton are bad company, but I wanted to be up at eye level for a change, where people with bad backs could get a chance to see my books.