She admired him; she was used to clutching her hands together in his wake and heaving audible sighs.

Mostly, we authors must repeat ourselves - that's the truth. We have two or three great and moving experiences in our lives - experiences so great and moving that it doesn't seem at the time anyone else has been so caught up and so pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before. Then we learn our trade, well or less well, and we tell our two or three stories - each time in a new disguise - maybe ten times, maybe a hundred, as long as people will listen.

A love affair is like a short story--it has a beginning, a middle, and an end. The beginning was easy, the middle might drag, invaded by commonplace, but the end, instead of being decisive and well knit with that element of revelatory surprise as a well-written story should be, it usually dissipated in a succession of messy and humiliating anticlimaxes.

Action is character.

Ah," she cried, "you look so cool." Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. You always look so cool," she repeated. She had told him that she loved him, and Tom Buchanan saw.

What was the use of doing great things if I could have a better time telling her what I was going to do?

Very few of the people who accentuate the futility of life remark the futility of themselves. Perhaps they think that in proclaiming the evil of living they somehow salvage their own worth from the ruin - but they don't, even you and I.