There's no beauty without poignancy and there's no poignancy without the feeling that it's going, men, names, books, houses--bound for dust--mortal--

The failure and the success both believe in their hearts that they have accurately balanced points of view, the success because he's succeeded, and the failure because he's failed. The successful man tells his son to profit by his father's good fortune, and the failure tells his son to profit by his father's mistakes.

Modern life... changes no longer century by century, but year by year, ten times faster than it ever has before-populations doubling, civilizations unified more closely with other civilizations, economic interdependence, racial questions, and-we're dawdling along. My idea is that we've got to go very much faster.

I don't want to repeat my innocence. I want the pleasure of losing it again.

Art isn't meaningless... It is in itself. It isn't in that it tries to make life less so.

It is not necessarily poverty of spirit that makes a woman surround herself with life - it can be a superabundance of interest.

When Vanity kissed Vanity, a hundred happy Junes ago, he pondered o'er her breathlessly, and, that all men might ever know, he rhymed her eyes with life and death: "Thru Time I'll save my love!" he said. . . yet Beauty vanished with his breath, and, with her lovers, she was dead. . . -Ever his wit and not her eyes, ever his art and not her hair: "Who'd learn a trick in rhyme, be wise and pause before his sonnet there". . . So all my words, however true, might sing you to a thousandth June, and no one ever know that you were Beauty for an afternoon.