I have a very 'theatre' face. I have what they call a wide mask. I probably would have been a big film star in the '20s with the silent films where they used a lot of key lighting, and make-up carved out your face.

Being funny is a symptom of what's underneath. You're pumping out all that energy because something else is going on inside you, some opposing force, something uncomfortable.

I don't like to read reviews. Even the good ones you start to analyze: 'Oh, did I do that? I have to make sure I do that again.

Usually I like playing other people. I like finding myself through other characters. But when you do cabaret, you are yourself. I think it's the most fun, and I tell you, if somebody had told me that, I would have done it fifteen years earlier than I did.

All I can say is that I've always felt like a very old soul. When I was 3, I felt 60.

I certainly went to New York because I was searching. Most people who go to New York are searching.

I'll tell you something: my dad was a nuclear engineer and he was really bright, and I've always said that because of negotiating at such a young age with my dad, it was really such a gift because I could then negotiate with very difficult personalities - and not end up being the scapegoat. I learned to really pick and choose my battles.