My happiest times in the theater are when I do ensemble pieces. I really got into theater because of that closeness.

Being funny is a symptom of what's underneath. You're pumping out all that energy because something else is going on inside you, some opposing force, something uncomfortable.

I certainly went to New York because I was searching. Most people who go to New York are searching.

I have a very 'theatre' face. I have what they call a wide mask. I probably would have been a big film star in the '20s with the silent films where they used a lot of key lighting, and make-up carved out your face.

I just love kids. I always have.

Half of me is this wacked-out comedienne who will do anything for a buck and a laugh. Well, at least for a laugh. But the other half is a lot darker, sadder and more pensive. It's the dark side that feeds the outrageousness and allows it to surface. I think that's true for anyone with comic flair.

I never like to be the same, whether it be comedy or drama, funny or serious.