Nobody sets out to make a bad film.

I'm trying to fight typecasting as hard as I can, while I have time.

In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?

The biggest challenge is how you get money for independent films, in these ever-changing times when most people don't really want to invest in that anymore.

I don't even have cable anymore, or a television. I just watch on computers. It's clearly the future of where we're heading.

I want to work with great directors. I want to work on good material with good actors. I've probably done 20 movies at this point and a lot of independents. It's been an incredible ride and I love it and I'm just going to keep going and doing what I'm doing.

I love scary movies. The Shining and Don't Look Now are two of the best.