Because clearly the most amazing thing had happened: by some chance - no, the lover does not believe in chance, but destiny - destiny had arranged it so that the man and woman who had made the original whole, then somehow divided and separated by an angry God, had met up again, and now must reform the rightful, righteous whole. At once!

A woman's body works as if it knew something she didn't, and does not have her best interests at heart. If you need to look your best it will deliver you a pimple; if you don't want it to, your period will start early; if you want a baby badly your body refuses to give you one; if you are content in your life, lo, you are pregnant.

It is easier for the reader to judge, by a thousand times, than for the writer to invent. The writer must summon his Idea out of nowhere, and his characters out of nothing, and catch words as they fly, and nail them to the page. The reader has something to go by and somewhere to start from, given to him freely and with great generosity by the writer. And still the reader feels free to find fault.

Youth gives a sense of new days dawning bright, going on for ever, and a kind of tamped-down excitement which keeps breaking through even the worst days of poverty, depression and loneliness. But then youth is something which only exists in retrospect; you are barely conscious of it while you have it.

Poetry, I thought then, and still do, is a matter of space on the page interrupted by a few well-chosen words, to give them importance. Prose is a less grand affair which has to stretch to the edges of the page to be convincing.

I know that I'm a real writer because sometimes I write a story just because I want to; not because someone's told me to.

Of course you have to believe in destiny; that everything is sheer chance is an intolerable notion.