Cary Grant was wonderful to work with on stage. He would move downstage, so that as he looked at me the audience had to look at me, too. He knew a lot about the theater and how to move around. He was very secure.

Only in your imagination can you revise.

Cary Grant and I were doing a play in New York. He had a crush on me. Whenever we went to a party, he would always sit on the floor beside me. I thought that was kind of beautiful, like that's where he wanted to be.

There were shots of Kong pulling at my clothes, but only in horizontal and never from above. Never from above.

So I was asked to do horror film after horror film, a series of about five, after that, and some of those were a little too gruesome. I wasn't too comfortable all the time in those. I didn't really care for them.

Lillian Gish thought that there should be a cabinet position for the arts and I think she was right. I think she was right.

When I'm in New York I look at the Empire State Building and feel as though it belongs to me ... or is it vice versa?