When I'm in New York I look at the Empire State Building and feel as though it belongs to me ... or is it vice versa?

Sometimes I worked with just a background of a rock or a tree or black velvet, and just had to imagine the whole thing.

It was so satisfying for me - a great reward, just to see it done well. And it was beautifully directed by my daughter Susan Riskin. Imagine, a play about my mother directed by my daughter?!

There were shots of Kong pulling at my clothes, but only in horizontal and never from above. Never from above.

As far as advice, that will be in my next book, my next collection. I certainly never like to instruct anyone, but just say as I feel. That's the same as advice, isn't it?

Cary Grant was wonderful to work with on stage. He would move downstage, so that as he looked at me the audience had to look at me, too. He knew a lot about the theater and how to move around. He was very secure.

Mr. Cooper said to me that he had an idea for a film in mind. The only thing he'd tell me was that I was going to have the tallest, darkest leading man in Hollywood. Naturally, I thought of Clark Gable.