I really don't like to go for the stereotypes. I try to give you characters that you don't know until you get to know them, and [decide] how you should feel about them.

I really don't like to go for the stereotypes. I try to give you characters that you don't know until you get to know them, and [decide] how you should feel about them.

You can make a film with a phone and a computer if you want, if you have the time. So it's a world that is saturated with films and all kind of stuff, so it's such a blessing to be able to make a film and people care, and even if they say that it's a bad idea, at least they care and they're talking about it.

Maybe because I'm a child of the 80's, but for me a sequel is a story that follows the previous one, and sometimes if you haven't seen the original then you don't understand the second one.

You don't see a wonderful shot in a comedy. Why? Because they don't want to distract you from what matters, which is the joke. It has to be funny, so usually all the things in the background don't matter.

Only really good comedies and really good horror movies get a verbal response out of the audience. People will scream. People will laugh.

When you're a director you always feel weird with another director watching over your shoulder.