In making a web video series number one, you need to have a script that you think is really funny, and it's true to yourself. I think some people use things as a stepping stone, and they want to please people and show them, "Hey, I can do hip guys in Judd Apatow style," and it's not true to them. If there's something you know about, like motorcycles, do something about motorcycles first. Do something that's really true to yourself and find a voice, and make the script as good as possible.

My fans probably know what I had for breakfast that morning. And that's the cool part. And I respond to people, if they post on my blog, I'm like, "Oh, that's really cool you read that book, that fantasy series!" It's almost like they're my friends in a sense. There's less separation. They know me more as a human being with my flaws, versus some kind of actor on a pedestal.

I was a child of a tech family. My grandfather was a nuclear physicist and was always a gadget guy.

What I love about what I get to do is that I'm allowed to create the stories that I want to tell with minimal interference by some very big corporations like Microsoft and Sprint and EA and BioWare. The advantage that these tech companies have is that they understand the space organically, versus traditional media companies.

I think me getting into performance stems from my mother's inability to do those things. I guess you have these things you want your kids to do that you couldn't do, and you have to start early to do them.

We knew how important it was to have a DP, because most web videos are horrible, because they shoot against a white apartment wall with no directional mic, you know? Those simple things, like knowing you have to have a sound guy, and that a YouTube video needs as much color as possible.

You don't need millions of dollars or millions of people if you're doing what you love.