The key is working with great directors. A film is so many different people and all their talents, but particularly the directors, because of the idiosyncrasies of that person.

I'm too much left brain. I very much have an emotional response to things; I love literature and films and storytelling. I need to nourish my right side, it doesn't get a lot of exercise.

I guess I'm a bit of a romantic.

Now we live in a time where the public and the private are completely fused and there isn't such a great distinction. We know our private lives are constantly made public. With Facebook and Twitter there isn't such a desire, it feels, to keep things private.

My most treasured item is the brown leather bag that my mum bought me from a little Italian shop for my 21st. It's supposed to be a vanity bag, but I use it as a handbag.

There's so much of a desire in the entertainment industry for newness, a desire to build somebody up and then treat them as old news within six months. I think you'd be naive if you didn't try to hold on to your own way of doing things.

I think that when [Charles] Dickens met Nelly [Ternan] it unleashed this sort of carnal, anarchic, cruel energy within him, and literally after she met him he changed his whole life - he separated from [his wife] Catherine, he stopped all the children from seeing her and went on this bitter rampage.