I'm more of a freestyle dancer. I like to do my own thing.

It's nice to have some continuity you can come back to. I feel that in coming home, coming back to London.

We live in a time where it's more surprising if people are actually together than if they're having affairs.

I've always been a feminist, and what I love in my work is being able to explore a full-sided woman and not patronize her.

Now younger actresses will have a confidence in those discussions with their agents and be able to say, "Can we make sure that I'm being paid the right amount for the work that I'm doing?"

I think, as an actor, you're always traveling. There's a sense of dislocation sometimes from home.

[In "The Invisible Woman"] was a different type of performance which was less driven by improv. You always want moments of freshness and newness, but there was less so than I've done before.