I'm more of a freestyle dancer. I like to do my own thing.

In my work I fight for, I hope, showing women in a true way. They've got brains.

I think good things come out of having tension with the people that you work with. You've got to be arguing in order to produce something interesting. If everyone's just agreeing with each other, you're not going to push the boundaries.

When you're a young actor, there's this pressure to rush. But I hope to be doing this into my sixties and seventies, so I'd prefer to take my time.

I've done quite a lot of improv work before, and I wanted to do this film ["The Invisible Woman"] because it felt like a different technique. We were very true to the lines, and there was something quite formal and almost theatrical about it.

I've done a lot of very low-budget indie films, so it was just really exciting and fun to be doing a film where there's a lot more time and these huge, vast sets. I was like a kid in a playground. It was amazing!

I'm not a huge jewelry fan.