I think personally it's not good for anyone - I don't think infidelity leads to happiness. It's painful for the person being cheated on, but also for the person who's cheating.

[In "The Invisible Woman"] was a different type of performance which was less driven by improv. You always want moments of freshness and newness, but there was less so than I've done before.

I've never taken a role where I don't like a person on the page.

I would describe my look as 'ladylike rock chick.

There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.

I always hope for roles that have some depth and that I can get my teeth into and that will challenge me, in some way.

It's nice to have some continuity you can come back to. I feel that in coming home, coming back to London.