It's often pointed out that in Cuban cinema there are too many comedies, but a sense of humor is so much part of the Cuban idiosyncrasy. Curiously, the films that have been censored the most have been humorous.

There was a time when emigration from Cuba was a definitive separation. There were no visits. In the '80s, '90s, it was incredibly difficult. I'm not the only one interested in this as a filmmaker - other Cuban filmmakers have dealt with it, too, because it's such a part of our reality.

It's often pointed out that in Cuban cinema there are too many comedies, but a sense of humor is so much part of the Cuban idiosyncrasy. Curiously, the films that have been censored the most have been humorous.

In all of my movies I've tried to address the need for man - not just Cubans - to have a dream and to fight for that dream, even when he doesn't achieve it. It's a form of happiness.

I think that this necessity to travel, to see, it's part of human nature.

Cuban public is special - they participate, generate a lot of energy, both in a positive and negative sense. It's always an expressive audience.

I don't think that the reality of Cuba is perfect, but it doesn't cleave to the negativity, either, with which some people see it.