There's something about the Irish that is remarkable.
I'm not afraid of chaos and I'm happy talking to strangers. I really love not knowing where I'm going.
The energy released by it is enormous and it becomes quite addictive, the power between the audience and the actor.
There is a great relief in experiencing the worst vicariously.
Every generation is obsessed with the decade before they were born.
There was no professional theater in Cork, but still I did a lot of performing.