Poorly written novels--no matter how pious and edifying the behavior of the characters--are not good in themselves and are therefore not really edifying.

The grandmother didn't want to go to Florida. She wanted to visit some of her connections in east Tennessee and she was seizing at every chance to change Bailey's mind. Bailey was the son she liver with, her only boy.

She looked at nice young men as if she could smell their stupidity.

He knew that he was the stuff of which fanatics and madmen are made and that he had turned his destiny as if with his bare will. He kept himself upright on a very narrow line between madness and emptiness and when the time came for him to lose his balance he intended to lurch toward emptiness and fall on the side of his choice.

Technique in the minds of many is something rigid, something like a formula that you impose on the material; but in the best stories it is something organic, something that grows out of the material, and this being the case, it is different for every story of any account that has ever been written.

Faith comes and goes. It rises and falls like the tides of an invisible ocean. If it is presumptuous to think that faith will stay with you forever, it is just as presumptuous to think that unbelief will.

In most good stories, it is the character's personality that creates the action of the story. If you start with real personality, a real character, then something is bound to happen.