I was always that girl growing up who you could find dancing down supermarket aisles. It's that sense of not feeling inhibited. Dancing in supermarkets is my favorite thing.

'Spectrum' is in part a disco song. But we play it hard, and it's a real euphoric, wailing tune. It's kind of like a total house anthem, in a way, but it seems to be going down really well. We've got all the grunge kids going mad for disco house raves.

Everything has such order and everyone is so focused on doing what they're doing that no one ever pays attention to you spinning and dancing around supermarkets. It's something you find in places like supermarkets and airports, where everything is really ordered. There's something about those places that makes you feel really anonymous.

The aesthetic came along the way, I think - just through experimenting, and going on tour, and trying stuff out on stage, having fun with it, and not taking it too seriously. If I had a ballgown at home, I'd wear it onstage. If I found something in a charity shop, I'd wear it. That's where it grew from - just wanting to play dress-up.

I am obsessed with the whole Victoriana thing, the whole Jack the Ripper London era, the grayness of it, the haunted feeling of it, all ancient and bloody.

I can’t worry too much about the everyday things. Otherwise I’d lose touch with my own world, that helps me as an artist, but it’s frustrating for the people around me. I’m vaguely functional, but there’s always something slightly off.

Music to me is so internal. It's physical and it's emotional. Whereas fashion is so much about the external that it's almost like a break. It's not inner turmoil. It's total escapism.