I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.

Being heartbroken is like having this really horrible freedom. You can be selfish with your thoughts, which can lead to manic creativity, but at the same time you're just really miserable.

I can't wait to get on stage, because there you don't worry about whether you'll ever get married because your life is insane, or whether you'll ever have another boyfriend again, you don't worry about the typical boundaries of how your life has to be.

I'm one of those people that is up for most things. When I was offered to sing at the Oscars I was like, 'Yeah, I want to know what that's like!' I'm always curious to know what things are like - as long as you're not compromising who you are.

The stage is the place I feel comfortable - it's almost as if real life is where I feel most nervous. Conversations are a lot more nerve-wracking.

I like a house party and fancy dress, a big fan of fancy dress, like dress up, costume parties.

I tend to lose myself in the moment. I’m not very good at holding back. I don’t know how to do this without feeling everything. My emotions are the tool I use to perform.