What I really like seeing from the stage is people having their own moments, when people are doing some performance of their own.

I'm pretty obsessed with Stevie Nicks from her style to her voice. I like watching her on YouTube and her old performances, the way she moves and everything.

I used to dress like an eight-year-old boy. Traveling has inspired me to be more experimental.

During the songs, you transcend yourself. The best way to be in the performance is to be without pause and be essentially in the moment, in that moment of expression.

I've been having this really weird anxiety dream about arriving too late or too early, and the people in charge are like, 'You have to leave! You have to go back to the hotel and get ready!' And I use the wrong exit, and I'm running down the red carpet in ­pyjamas, like, 'No! Don't look at me!'

I tend to lose myself in the moment. I’m not very good at holding back. I don’t know how to do this without feeling everything. My emotions are the tool I use to perform.

I want my music to sound like throwing yourself out of a tree, or off a tall building, or as if you’re being sucked down into the ocean and you can’t breathe… It’s something overwhelming and all-encompassing that fills you up, and you’re either going to explode with it, or you’re just going to disappear.