The Teenage Cancer Trust does incredible work supporting and caring for teenagers and young adults with cancer, and it's a cause that is really close to me and my family.

Well, I'm completely normal and mellow.

A lot of the songs on the new album are about imaginary things, things that you can't touch - ghosts and rumors, my dead grandmother, things visiting you in a dream.

I think an encore is perfectly acceptable, but I find it so weird when people do two or three.

Being heartbroken is like having this really horrible freedom. You can be selfish with your thoughts, which can lead to manic creativity, but at the same time you're just really miserable.

The release of 'Lungs' was so hard. It was terrifying, because it was the first time doing everything. The first experiences of media exposure were almost paralysing. I spent a lot of time crying on the floor of the studio - it sent me a bit mad.

My visual landscape as a child was the inside of a lot of these old churches. And the Baroque drama of the things was what I was first engaging with artwise. I'm much more attracted to the aesthetic of religious iconography than the actual religious side. The passion and the blood and the violence and the gaudy side of it I find really fascinating.